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| 'Land': Film Review | Sundance 2021 Robin Wright stars in and directs a drama centered on the self-imposed isolation of a woman in the throes of devastating loss. Over the past year, many of us have become intimately acquainted with a "remote" approach to life and work. For the protagonist of ... | |
| 'First Date': Film Review | Sundance 2021 Manuel Crosby and Darren Knapp's comedy sets many, many obstacles between the meeting of a high-school kid and the girl he's obsessed with. An out-all-night odyssey in which romance is interrupted by a compounding series of mishaps and crimes, ... | |
| 'Jockey': Film Review | Sundance 2021 In a drama filmed among real-life horse-racing professionals, Clifton Collins Jr. portrays a middle-aged rider facing tough realities, and Molly Parker is the trainer he's worked with for years. Against-the-odds gambles and the hope for one last chance — these ... | |
| 'At the Ready': Film Review | Sundance 2021 Director Maisie Crow follows a group of El Paso high school students in a law enforcement training program over the course of one life-changing year. One of last year's big Sundance breakouts was the documentary Boys State, in which high school students ... | |
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| 'My Name Is Pauli Murray': Film Review | Sundance 2021 'RBG' filmmakers Julie Cohen and Betsy West return with a documentary portrait of a forgotten but brilliant queer Black legal scholar who influenced Thurgood Marshall and Ruth Bader Ginsburg. Lawyer, scholar, priest and queer pioneer Pauli Murray is ... | |
| 'Misha and the Wolves': Film Review | Sundance 2021 Sam Hobkinson's documentary explores a (literally) unbelievable story of Holocaust survival — and why people choose to believe. Fox Mulder made the slogan "I Want To Believe" iconic with his UFO poster on The X-Files, but the reason it has spawned so ... | |
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| 'A Glitch in the Matrix': Film Review | Sundance 2021 'Room 237' director Rodney Ascher follows the rabbit hole of simulation theory in his latest documentary. After three feature documentaries, Rodney Ascher has certainly found his niche. In his The Shining-themed Room 237, The Nightmare, about those ... | |
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